![]() ![]() ![]() Grooving as one, the drums flitting behind, the band are taking the whole concept and drenching it it their glorious fuzz psych. ![]() A WIZARDS LIZARD SOUL WARP FULLAcoustic and blissful, it relies heavily on that quarter-tonal tuning to set the tone, before Automation comes in with the full band and the album takes flight. That album broke the mould for the band and it is from there that their new album, K.G., again takes it as a primary source.Ī wisping, short instrumental opener, K.G.L.W., really hammers in the idea. Influenced by his experimenting with a baglama (a Turkish instrument) he hit upon the idea of transposing their sound of the notes between notes into their twisting psych. Fixated throughout by the sight of the strange fretboards on their instruments and the sounds that they created, it wasn’t until the end that singer Stu Mackensie explained the development. Usually, four years into a band’s releases, there wouldn’t be too much to hear, but by that point they were on album nine, Flying Microtonal Banana, and it was their performance on KXPN that grabbed me. Not sure if I was late to the party, but, despite hearing their wonderful moniker before, it wasn’t until four years after their debut that I really got round to digging into the world of King Gizzard & The Lizard Wizard. King Gizzard & The Lizard Wizard return with album number sixteen, K.G., and further develop that weird and wonderful multi-tonal psych. ![]()
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